Why I Will Never Be a Great Poet

I've really enjoyed the BBC series on poetry this spring, the programmes featuring Simon Armitage on Gawain and the Green Knight; Sheila Hancock on her favourite poets and most recently Cerys Matthews have all been lovely viewing, not least because they've reacquainted me with some poems I'd forgotten.

Sheila Hancock read Philip Larkin's Poem - The Mower, a beautiful sad little poem and exhortation to general niceness. Here it is:

The Mower
The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably. Burial was no help:

Next morning I got up and it did not.
The first day after a death, the new absence
Is always the same; we should be careful

Of each other, we should be kind
While there is still time.

I too was once moved to write about a not dissimilar experience with a hedgehog. For those of you who do not remember the 'Hedgehog Blog Post' Click here to be reminded why my response to events such as these will never qualify me to be a true artist.

The Burns Ward

A three-day communication course I was once on culminated in a final session, during which each of us had to share something about ourselves, something that was important and wasn't what we would normally share. One of the participants took his turn; and amidst hushed expectation stammered nervously,

"I'm a m...m...m..."

Immediately I thought I'd guessed it - there was something about that twitchy handshake, and that briefcase - but I was wrong.

He continued,

"I'm a m...m...member of the Sons of the Desert."

He was, and remains, a long-time member of the fraternity of Laurel and Hardy fans. With the warm approval of the group, he went on to show us some of his fascinating memorabilia and explained why it was special for him.

My turn came for the AA moment (not the motoring organisation) :

"My name's Crofty...", there was a hushed expectancy, "...and I like poetry."

There it was, out in the open; but where were the warm indulgent smiles, the understanding nods; and I was sure there was a barely perceptible leaning-away by my adjacent group members. I reflected that poetry crossed a boundary in the minds of the the testosterone-heavy group; and it was perhaps as well that I hadn't shared my liking for ballet - this was before Billy Elliot.

Anyway, there it is, I like poetry. On that occasion I think I shared the Thomas Hardy poem 'In time of the breaking of nations', and a more modern choice from Simon Armitage's collection Book of Matches. I tried to explain how unsatisfactory it is to say simply that one likes poetry; you might hate Simon Armitage or Carol Ann Duffy; but William Blake, who I can't stand, might resonate deeply within you. The best way to decide about poetry is to read it: get an anthology that cuts across eras and styles; and discover how fourteen lines can say more than fourteen chapters; or how poets can make words do judo: a few small, well crafted, innocuous sounding phrases flattening you without any apparent effort.

I was delighted when my sons were doing GCSE English; both Carol Ann Duffy and Simon Armitage were on the syllabus. I enthused about both poets only to find that the general class consensus was they were boring and crap. They were boring and crap simply because they were part of the syllabus; I just contributed to their crapacity by confessing my liking: it's not cool to like something that your dad likes. In much the same way I had dismissed John Betjamin and Philip Larkin when I studied for my O-Levels in the seventies. Betjamin still gets on my pip with his train-spotting.

Thursday night is a special night, it's Burns night; the night of the year when golf clubs and all other clubs for grown-ups, will be full of people claiming every tenuous association with Scotland and claiming a love for the poetry of the bard of Scotland, Robert Burns. You can hear it now:

"Oh yes Taylor is from the Gaelic, Burns himself features a derivative version of the word when he describes the "wee timorous beastie"

"Ah yes but of course my great great grandfather was actually a Burns, a dashing sort of fellow named Flash."

And after dinner speakers, who can affect anything approaching a Scottish accent, will be dusting off their pronunciation guides to tackle words like :

"Painch tripe of thairm..."

As the evening draws to its dramatic climax there will be the symbolic slaughter of that poor wee highland creature, the haggis, to the skirl of the pipes.

I have difficulty with dialect poetry, I don't have the patience but if you can bear them, many of Burns' poems are worth the effort (if you click on the link you also have the opportunity to purchase many Burns goodies, do go to the shop and have a look, the list of top-ten best sellers says it all!).

The singer Eddi Reader - remember her in Fairground Attraction - has done a stunning album of Burns' poems, with some of the best traditional musicians around: Ian Carr and John McCusker among them. So that will be my way of celebrating the night: Eddi Reader and my only connection with Scotland, a liking for malt whisky (although I am a little short at the moment, donations gratefully... etc etc)

Whether you only have an aunt who once went on a coach trip to Edinburgh or are a true Scot, enjoy Burns Night.

The title? Oh yes, sorry.
That's the punch line to a story about the Duke of Edinburgh visiting a Scottish hospital. He goes round many wards until, finally, he is shown one where all the patients have blank looks and are lying on their beds murmuring snatches of barely intelligible dialect poetry. The Duke says,

"Ah this must be the psychiatric unit."
"No", replies the guide....